Intuition coupled with rigorous practice has made the violinist a front line performer. Her silky smooth bowing, unhesitating fluency, thorough competence and immaculate accompanying skills make Charumathi Raghuraman a sought-after violinist for leading artistes in the Carnatic firmament such as Ranjani Gayatri, Sudha Ragunathan, Vijay Siva, Gayathri Venkataraghavan, Ramakrishnan Murthy…
Facile singing, tremendous creativity, immense appeal and a completely pliant voice are hallmarks of this precociously talented, award winning, seasoned Carnatic vocalist who just happens to be young. Ramakrishnan Murthy’s countenance, manner and speech are as traditional as his music, belying the fact that he spent the bulk of his…
Torchbearer of the DKJ/DKP bani, Vijay Siva is not one to compromise on classicism. Total conviction, clarity of thought, unstinted devotion to patantharam, wholehearted commitment to the cause of music and the courage to follow through — these make Vijay Siva stand out in the realm of Carnatic music .…
Sangeetha Ramprasad believes in the calming power of sahaja yoga Stress seems to dog everyone these days — from young children to the elderly. Sangeetha Ramprasad comes to their rescue, bridging the world of Carnatic music with meditation, the art of stilling/calming the mind. Sangeetha had her initial training from…
It is his pleasant countenance that first draws attention but once you settle down, his playing of the mridangam keeps you absorbed. Vijay grew up in Mumbai, the son of Geetha, a vainika, and N. Balasubramanian, a Chartered Accountant and bhajan singer. Vijay’s father, an ardent admirer of T.V. Gopalakrishnan…
This is the fourth and concluding part of an article on Sanjay Subrahmanyan that appeared in The Hindu. Parts 1, 2 and 3 are here. Sanjay Subrahmanyan talks about teaching, his foray into the virtual world and more. Sanjay Subrahmanyan has been singing on stage now for almost 30 years…
This is the third part (of four) of an article on Sanjay Subrahmanyan that appeared in The Hindu. Here are Parts 1 and 2. Sanjay Subrahmanyan gets technical in this session with Lakshmi Anand. Sanjay Subrahmanyan offers suggestions to make listening more productive for aspiring performers. “Listen a lot, and…
This is the second part (of four) of an article on Sanjay Subrahmanyan which appeared in The Hindu. Here is Part 1. Sanjay Subrahmanyan talks about his approach to music, how he plans a concert and the importance of listening. Prior to every concert, Sanjay Subrahmanyan decides what to sing,…
In one of those rare interviews to the media, Sanjay Subrahmanyan opens up and reveals that continuous improvement has been his constant approach. With his complete involvement, thorough competence, enthusiasm and professionalism, it is no wonder that Carnatic musician Sanjay Subrahmanyan is revered by fellow musicians and rasikas alike. With…
Gone. Never to be forgotten. The outpouring of emotions on Mandolin Shrinivas’s premature death has been unprecedented – with any famous artiste, one hears messages from his ilk, but rarely do we see the multitudes expressing affection of this magnitude. Facebook, Twitter, WhatsApp, emails – hordes are in a suspension of…