On YouTube is a K.V. Narayanaswamy (KVN) concert, listing co-artistes M. Chandrasekaran, Umayalpuram Sivaraman and G. Harishankar. Presenting ‘vAtApi gaNapatim’ after a shloka, KVN sings a classic sangati at the 2 minute 52 second mark when, suddenly, mid-line, the kanjira comes in – for all of 9-10 aksharam-s – clear,…
After having performed concerts for many years, the 24-year-old student approached the new Guru. “You should not touch the mridangam for five years. I have to teach you new fingering.” G. Guru Prasanna, whose musical trajectory has seen him play multiple instruments initially, before settling on the kanjira, says, “I…
Sri. KV Gopalakrishnan, kanjira exponent, is probably one of the busiest percussionists in Carnatic music today. He explains how he has confined himself in Chicago as he is concerned about infecting older and younger members of his family in Chennai. This podcast is part of the Quarantunes series, featuring Indian…
In this episode, Sri. B Shree Sundarkumar, kanjira exponent, is forthright about his many emotions at the present time and juxtaposes his personal situation against the world at large. “When the whole world is suffering, I alone am not unique.” This podcast is part of the Quarantunes series, featuring Indian…
B Shree Sundarkumar, aka The KanjiraMan, is acknowledged as a wizard on the kanjira by artistes young and old, prolific and niche, Carnatic and other genres. An “artiste of eminence” says Sangita Kalanidhi Umayalpuram K Sivaraman. “Incomparable,” says kanjira artiste BS Purushotham. “Rare calibre,” says vocalist Abhishek Raghuram, who himself…
Anirudh Athreya, kanjira exponent, elicits copious appreciative comment from fellow artistes. Senior mridangam vidwan K. Arunprakash says, “He is a genuine team player, knowing how to enhance each of the other artistes on stage.” Vocalist and violinist Amritha Murali notes, “His sense of aesthetics, care and sensitivity towards his own…