A scientific rethink of a craft steeped in tradition, when unencumbered by hallowed strictures, can shatter long-held beliefs, shed valuable insight and provide illuminating perspective. Dr. Bhushan M. Jayarao of The Pennsylvania State University, a non-musician, has constructed a tuneful tanpura in State College PA, USA, with local materials and…
Around 1983, vocalist Ananthalakshmi Sadagopan took her friend, composer Ambujam Krishna, to visit vocalist Charumathi Ramachandran. There, they heard Charumathi’s husband, vocalist Trichur V. Ramachandran, sing the Narayaneeyam that he had set to tune. Ambujam found it coincidental as she was leaving for Guruvayur soon after. On her return, Ambujam…
Semmangudi Srinivasa Iyer (SSI) strode Carnatic music like a colossus. However, none in his family followed in his footsteps. His eldest daughter, Santha Kasy Aiyar, explains, “My father was categorically against his family pursuing music professionally. He felt musicians were perceived as lower in the social ladder than those formally…
Last December, violinist Sangita Kalanidhi A. Kanyakumari began a thematic series to showcase Thyagaraja’s Ekaika rAgam-s – those in which only one kriti is thought to exist. She began on Friday, December 13th, 2019 with E dAri sancarintura in the rAgam Srutiranjani. She had envisioned it purely as a three-week…
After having performed concerts for many years, the 24-year-old student approached the new Guru. “You should not touch the mridangam for five years. I have to teach you new fingering.” G. Guru Prasanna, whose musical trajectory has seen him play multiple instruments initially, before settling on the kanjira, says, “I…
At weddings, she noticed that the normally restless child never asked to be taken home – he would run around and stand happily by the nAdhaswaram ensemble. Taking this as a sign, Vignesh Ishwar’s grandmother, Sarada Krishnan, enrolled him for vocal lessons at age 4. The teacher was recalcitrant initially,…
Most know Anantha R. Krishnan (Anantharaman Krishnan) as a skilled mridangist and the grandson of Sangita Kalanidhi Palghat R. Raghu. However, the Ivy League educated Anantha cannot be encapsulated in a single sentence. He is an artiste who looks at art itself with broad horizons – well beyond the mridangam…
Though most composers of Indian Classical Music have historically identified their works with a recognisable watermark, nowadays, the act of claiming credit in this art form is frequently construed as mercenary and disrespectful to hallowed tradition. Given the highly commercial nature of music dissemination now, performers’ rights is a topic…
If one has to be recognised in Carnatic music, one just HAS to relocate to Chennai, it is said. There can be no substitute for listening to live concerts is also oft-heard. This respected violinist, however, has put paid to both the above statements. Charulatha Ramanujam is appreciated not only…
A consummate performer rarely makes a good teacher, each requiring different skill sets. Imparting knowledge to those far less conversant requires assessing and customizing instruction for each student, simultaneously motivating and pushing and, above all, zero insecurity to demystify what seems opaque and frequently shrouded. Lalgudi Jayaraman, whose 90th birth…