To dare to be different in presenting an art form permeated by tradition, lineage and seemingly inviolable rules requires courage, and especially so when you are the headliner of your own eponymous crossover band. Roopa Mahadevan of Roopa in Flux and Aditya Prakash of Aditya Prakash Ensemble have done so,…
Sruti Magazine January 2022 Cover Story (Note: The following is only an excerpt. To read the full article, subscribe to Sruti.) How Sikkil C. Gurucharan became a vocalist is itself curious — even to him! Born in Chennai on 21 June 1982 to V. Chandrasekaran and Mythili (daughter of Sikkil Kunjumani, the elder of the Sikkil Sisters flautist-duo), he recollects his grandmothers testing the blowing ability of prospective flute students by asking…
Known for nuanced and sensitive accompaniment, veteran mridangist and academic Sangita Kalanidhi Trichy Sankaran has played for Maharajapuram Viswanatha Iyer, Musiri Subramania Iyer, Chembai Vaidyanatha Bhagavatar, Ramnad Krishnan, Madurai Mani Iyer, G.N. Balasubramaniam, M.D. Ramanathan, K.V. Narayanaswamy, Semmangudi Srinivasa Iyer, Flute Mali and many others across generations. “I jokingly say…
Veteran violinist Sikkil R. Bhaskaran passed away on 20 July 2021. Dedicated exclusively to accompaniment, the artists he shared the stage with straddle generations and read like a who’s who of Carnatic music—from Maharajapuram Viswanatha Iyer, K.B. Sundarambal and M.M. Dandapani Desigar to Sikkil Mala Chandrasekhar, N. Vijay Siva and…
V. Sai Subramaniam who (along with vocalist Palghat Dr. R. Ramprasad) is the recipient of this year’s Kalki Krishnamurthy Award, is the first morsing exponent to receive the prestigious honour in the over 25 years since its inception. According to ghatam exponent G. Chandrasekara Sharma, Sai is, in fact, the…
When Jayalakshmi Balakrishnan suggested to the family of the Late Sundaravalli Ammal that some of the lady’s compositions be set to tune and performed, she also knew exactly whom to entrust the task to. Most know K. Arun Prakash as an erudite and avant-garde mridangist. However, besides percussion, he is…
A smiling young man opens the door to a beautiful house and sings 10-12 second snippets of 73 Indian classical rAga-s in quick succession when prompted, effortlessly and instantaneously, whilst casually walking around the home. The camera follows him around, shooting without any cuts, for the entire ~14 minutes. Abby…
A comprehensive and detailed interview with dhrupadiya and rudra veena exponent Sri. Mohi Baha’ud-din Dagar where he candidly debunks myths, shares personal and family struggles, explains and demonstrates the rigorous, often ‘mystical’ training techniques of the Dagarvani and much more. He also recorded two pieces of music exclusively to accompany…
Senior mridangist J. Vaidhyanathan believes his commitment to accompaniment begins right from arriving well on time for the concert. “A concert is like a yagna, a lot of effort—we should not cause any consternation to either the organiser or the artists—rather, we should ensure that we do whatever we can…
Women in percussion are so few that their gender alone makes them the cynosure of attention. Bengaluru-based Bhagyalakshmi M. Krishna, however, has gone beyond that, earning respect for her skills on the morsing, the identical adjectives used by her fellow artistes serving as testament. She has shared the stage with…